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Other interviews:

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- Interview with Lambert Wilson "Entre les mots et les notes" at "Le Temps" (Geneva Camerata)

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​- Interview about "Back into Nothingness" premiere with Hèctor Parra at Matinale, France Musique

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- Interview at "Assaig General" of Catalunya Música (Catradio) with Albert Torrens

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- Interview with Xavier Chavarría at "Assaig General" of Catalunya Música (Catradio)

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- Interview with Omer Corlaix, Musiques contemporaines XX-XXI

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- Interview by Pierre-Helene Scande, Fragile Revue "Victimes Oubliées"

  "Comment composez-vous 1", "Comment composez-vous 2"

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Other press articles-broadcasts about my work:

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- Noves aventures, de Tots els matins del món, amb Joan Magrané

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​- Une Clairière quand même. Revue Sonograma, chronique à partir d'un texte de Laure Gauthier et N.G.C​​

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- Tierra, polvo, tumba, of Aina Vega i Rofés at Barcelona Classica

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- By musicologist Marina Hervás in the occasion of the premiere "Feedback" by the Trio Feedback at the Badajoz Festival (Spain)

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​Articles and research:

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- Interview about the piece "Synthetic soundscape" and the research associated to the piece, by Paul Goutmann and Diane Schuh, Revue francophone Informatique & Musique

 

 

- CNRS - Maths & Musique #8 : La pensée temporelle et formelle. Article avec Jose Luis Besada

 

- Interview-article in the book "D'un lyrisme l'autre"of Laure Gauthier: "Les métaphores se reflètent dans la matière sonore". Entretien avec Laure Gauthier

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- Article from the colloque : Rigueur — Thierry Paul & Michael Schmidt, Spartacus Editions

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- Computer-aided Composition of Spatial Sound Sculpture, article with Marlon Schumacher for the Ircam Forum web site

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- "Hyle. Les géants de Vico. Listening space/ perceiving space: the forest inside the concert hall". Sonograma Magazine

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- "Matemàtiques com a metàfora. Nous reptes tecnològics", Sonograma Magazine

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- Interview-article in "Un espai al pentagrama" d'Alba Nogueras, Ficta Edicions

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- "Sobre imaginario sonoro y poesía" (spanish) in Diálogos of Ciklus Ensemble
 

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(from other authors)

 

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- SPATIAL LISTENING AS AESTHETIC PRACTICE AND METHOD: PHENOMENOLOGICAL APPROACHES TO IMMERSIVE SOUND ENVIRONMENTS by Teresa Carrasco ("LLum i matèria" analysis)

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- La prise de l’IRCAM? Spanish Composers Facing New Technologies, by Jose L. Besada. Contemporary Music Review, Volume 38, 2019

 

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- Twentieth-Century Music and Mathematics, R. Illiano (ed.). Pedro Ordóñez Eslava: "Ars combinatoria: poéticas del número en la composición española contemporánea (1980-2018). Breve antología inacabada"

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- A Model for the Analysis of Orchestration and Its Experimental Application to Núria G. Comas’ “Recovery Zones” by Charles Santana and Didier Guigue. EuroMac10, page 553

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- "Emulation of Baroque instrument" of Composing with Orchidea by Carmine-Emmanuele Cella

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- DISSONANCE : Les projets Orchis. Grégoire Carpentier, Victor Cordero, Éric Daubresse (Dissonance 119, September 2012). Analyze of the work with software Orchis in my piece "L'ombre du rêve" (among other pieces)-> Musical examples

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Other texts

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- "Trois points sur la perception sonore : image sonore, masquage et illusion sonore" (Master dissertation, September 2012)​​